Hans Ruedi Giger (1940-2014), one of Switzerland's most groundbreaking artists, revolutionized visual culture through his groundbreaking biomechanical style which fused human anatomy and machinery - leaving an impactful mark in art, film and music alike. Throughout his extensive and fruitful career that spanned over half a century, Giger utilized a diverse range of artistic media, including but not limited to prints, drawings, paintings, sculptures, furniture, set designs, record covers, architecture, musical instruments, computer games and watches. His body of work was an outpouring of the nightmares that tormented him; stemming from childhood traumas as well as atrocities committed during both world wars. Giger explored the depths of our human psyche through his dark and surrealist artwork, weaving science fiction with horror to create hauntingly beautiful works that explored our deepest fears and desires that fused elements of the occult and macabre. Giger rose to international fame for his renowned creation - the Alien Xenomorph monster from Ridley Scott's Alien film franchise (1979-2017) - earning him two Oscar nominations and an Academy Award in 1980 for Best Achievement in Visual Effects. Alien forever changed how science fiction and horror were presented, setting a new bar for special effects use in cinema. Since then, the Alien has become an iconic cultural figure - its design regularly appearing in films, TV shows, tattoos and video games. Giger continues to inspire a new generation of artists with the largest body of his work permanently showcased at the H.R. Giger Museum in Gruyères, Switzerland.

Hans Ruedi Giger

Necronom

H.R. Giger's “Necronom (Alien III) 2005” is a timeless, iconic sculpture reflecting Giger’s artistic prowess and profound cultural influence. Standing as his most acclaimed work, this life-sized sculpture of a humanoid figure with long arms, an extended head, and sinewy muscles is a testament to Giger’s skill at tapping into the human psyche, through fears associated with death, sexuality, bodily violation and terror. This sculpture, derived from the iconic Xenomorph Giger invented for Ridley Scott’s Alien in 1979 revolutionized film monster depictions by offering audiences something both incomprehensible and relatable - an unprecedented monster that combined aspects of familiar creatures with its own unique and otherworldly features. Crafted in 2011, this sculpture is the first and only one created by Giger himself after finishing the 2005 prototype. With only six editions produced in the world, it stands as a testament to Giger's unparalleled traditional craftsmanship. Edition 1 later became the model for subsequent editions that were produced under Giger’s close supervision. Serving as a prime example of Giger’s investigation of macabre imagery within our subconscious, the work draws on key components from twentieth-century Zeitgeist to create an unsettling creature that depicts an alternate universe where reality and fantasy collide. Just as Giger's work invites us to consider the effects of technology and artificial intelligence on humanity, the Necronom sculpture prompts us to question our own mortality and the impermanence of life. His use of fantastical realism challenges us to confront aspects of our darker subconscious and consider how we navigate our complex relationship with the machines and technology that shape our world.

Hluboká state chateau - HR Giger: Metamorphoses

NFC Lisbon - Particle: Alien Room by H.R Giger

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Trevor Andrew, aka GucciGhost, is a multi-disciplinary Artist, based in Los Angeles, CA. Far from restricting himself to simple canvases, Andrew is known for making waves in various creative sectors including the Fashion, digital and Fine Art World. From tagging the streets of New York with the iconic Gucci logo, to obtaining a global collaboration with the high-end fashion house, Andrew has managed to incorporate a mélange of all these elements: context, medium, imagery; and their infiltration into the urban consciousnesses.
Andrew is now renowned for his pure instinctive talent and quick-witted intellect that has facilitated his way into navigating tricky territories - starting from the streets of New York to Fine Art Museums, blue chip galleries, Nifty Gateway and Gucci’s runways. A collision of urban celebration and pop, his practice is characterized by satirical humor and powerful visual impact which utilizes familiar representations with unattainable symbols to investigate the relationship between luxury items and street lifestyle. Fusing opposing subjects with traditional art historical references and contemporary street culture, his works, as well as his alter ego, GucciGhost, has elevated street art to the realm of the fine art world and the global fashion industry.

Trevor Andrew

Banksy's a Ghost

Gifted to the Particle Community in June 2022

Banksy’s A Ghost is a signature GucciGhost piece by Trevor Andrew created specifically for Particle Collection in response to Banksy’s Love is in the Air as part of THE LIITA EFFECT exhibition at Praz Delavallade gallery, Los Angeles in June 2022.  Andrew takes a whimsical and lighthearted take on Banksy’s iconic image - even the title points to a clever reference to Banksy’s anonymity. The artist's signature Casper-esque ghost, which he states as being “part of his DNA to tell stories”, reimagines a classic moment of the GucciGhost story, where the caricature is seen with a pan in his hand tossing up an egg, in a work entitled “ Life is Scary Sometimes.” Andrew revisits this moment by replacing the pan and egg with a stenciled rendition of LIITA’s bouquet, an instantly recognizable symbol of peace, beauty, and hope that Banksy used to disarm both his viewers and his figures' opponent. The whole piece is branded with Gucci insignia from a vintage found fabric, which Andrew felt was a “fun way for each holder to have a moment.”

Praz Dellavallade Gallery, Los Angeles - The LIITA EFFECT 

Coming to prominence in the 1990’s as a street artist, British-born Banksy has become a global phenomenon transcending his anonymous identity. Using dark humour and art historical acumen to elevate the proletarian and challenge the elite, he is regarded as one of the most prolific creators of the twenty-first century - tackling every complex issue from globalization, exploitation, police brutality, mass media’s normalization of violence, and consumerist saturation to Brexit, the global refugee crisis and the Israel and Palestine conflict.  He is celebrated for pushing the boundaries with his street art interventions, marked by rebellious stunts and bold playfulness. The artist visualizes imperative but challenging discourses in an aesthetic vocabulary that uncovers the disquieting truths of global political landscapes and popular culture. Banksy’s stenciled work have appeared everywhere -  from the streets of Gaza and the West Bank wall, Prison buildings to the Sunset Strip, London’s Southbank and the Louvre. He has reinterpreted masterpieces such as Leonardo Da Vinci, Edward Hopper, Claude Monet and Van Gogh in a way that satirically comments on the environment, the capitalist landscape of contemporaneity as well as the art establishment. Most recently he gifted a work to a Southampton hospital to thank the NHS for the help during the on-going pandemic, which sold at auction for a staggering amount of $23,114,000. Being a chronicler of his time and fuelled by arresting humanitarianism, his practice is rooted in his belief that art should be for everyone, and that when dispersed freely around the world has the potential to create small ripples that lead to big waves of change.

Banksy

Love is in the Air

Acquired by the Particle Community from Sotheby’s on 05/13/2021

"Love is in the Air" by Banksy is a masterpiece that exemplifies the unique and revolutionary nature of Banksy's art. The iconic image depicts a figure dressed in militant attire, poised to throw a Molotov cocktail, but instead, the figure holds a bouquet of flowers, symbolizing a hopeful and peaceful resolution to conflict. The work originated as a large graffiti stencil on the side of a garage in Jerusalem, strategically placed near the West Bank Barrier, highlighting the absurdity of war and power dynamics. The choice of colors in the flowers represents the opportunity to overcome discord and unite, combining the Israeli and Palestinian flags. This artwork has gained recognition as one of Banksy's most sought-after pieces, appearing on the cover of his 2005 monograph. It has been referenced and reproduced globally, establishing itself as an image of timeless significance. "Love is in the Air" resonates with historical works like Picasso's "Guernica" and references the Flower Power Movement, evoking a powerful anti-war sentiment. The inclusion of painted flowers contrasts Banksy's signature stenciled style and references the tradition of still-life floral paintings while subverting their traditional symbolism. Like Warhol's riot imagery, Banksy implicates society in pursuing peace rather than violence, challenging the role of media imagery. The figure in the artwork, disguised with a bandana and baseball cap, can be interpreted as a self-portrait of Banksy, known for his anonymous identity. "Love is in the Air" stands as a radical image that sparks a dialogue about the act of art-making, combining diverse sources and addressing contemporary issues, while calling for positive change and a better future.